Yes I know for you non-writers out there, edits may not be
the most interesting subject, but bear with me. I’m not going to talk about
comma splices, verb agreement or misplaced modifiers. What I’ll tell you about is
edits (the kind you receive from an editor before your book gets published).
I recently sold a historical western romance to Crimson
Romance Publishing. (The book, A Moment’s Pleasure is supposed to
be available in March 2013. You can find an excerpt on my website, http://rueallyn.com/2d1AMPexcerpt.html.)
Crimson Romance is a new house for me, and I’ve never worked with their
editorial staff before. So the editorial suggestions and commentary that I received
(and am to complete in two weeks) are a new experience. Not only because I’m
with a new publishing house, but also because I’m really being edited.
![]() |
The Widow's Revenge
is available from Amazon.
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My prior experience (at three different publishers) was
relatively mild. I’d get back a nice e-mail saying “would you mind making these
two or three small changes to your manuscript.” Those changes usually involved
a couple of words here and there—for example—to make my hero more manly or
clear up a factoid for the readership.
The edits I received from Crimson Romance were radically
different. The email was still very nice, but the requested changes were much
more numerous and complex. I’m moving chapters, deleting whole pages, writing
new text to knit things together, modifying the story timeline, beefing up or
toning down and in general working my fingers to the bone.
You might think I’d be upset—no other house wanted that much
work from me during the editing phase of the manuscript. Well believe you me,
I’m far from upset. Fact is, I’m tickled pink. [This is a blog post not a
story, I’m allowed to use a cliché or three. J]
![]() |
Off Limits is available from Amazon.
|
I now understand what it means to have a publishing house
truly look out for me and my reputation as an author. And I have a greater
comprehension of why those other publishers wanted less from me. They were just
as interested in preserving the quality of my writing as Crimson Romance is.
What was different was the manuscripts themselves. Why? Well that’s a whole
‘nother blog post (all about confidence in your writing and not letting well
intentioned input mess with your mind).
The gist of this post for writers is whether edits are minor
or extensive; believe that the publisher and editor want the best book. That’s
good for them and for the author. For non-writers the gist is this. Take criticism
(the kind of ‘edits’ most people get) as a compliment. Realize that someone
cares enough about you to tell you what they think. If the commentary upsets
you, consider that the difficulty may not be with the person giving the
comments.
You may find more about Rue Allyn
At her website: http://RueAllyn.com
On Facebook: http://www.facebook.com/pages/Rue-Allyn/
On Twitter: http://twitter.com/RueAllyn/


2 comments:
My editing experiences were similar: one editor wanted lots of changes, while another liked what I'd written. It's important to believe in your work and in yourself, that editors want the best product in the end. Thanks for sharing.
Nice, insightful post. And congrats on your offer from Crimson. Yahoo!
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